ALEV SensorsOur very own ALEV III sensor plays its strengthsin a film-like look and feel with HDR capability (since 2010). These lenses appeal to me because they're soft, but, depending on how I light the shot, I am able to get a more or less contrasted image. Signatures are perfect for shooting with a hand-held camera, as they are quite lightweight. Warm, smooth skin; open shadows with crisp blacks; andbokeh like looking through a window in the rain. Line by line for every format, sensor mode and lens illumination. ARRI technology helped DP lex de Pablo define the two parts of The Beasts, winner of Best Film and Best Cinematography at the 2023 Goya Awards. ARRI 40mm Master Prime Lens Camera lenses The 40mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field. You can find our community on the plattforms listed above. Cinematographer Tom FaehrmannBVK (known for: DasWunder von Bern, Ulzhan - das vergessene Licht, Campus and many more). ", 15 modern high performance prime lenses (T.1.9), ARRI Ultra Prime 8R, an extreme wide angle lens. So much shadow detail with this level of crisp blacks is something I have not seen before. Csar-winning duo of filmmakers pairs up with ARRI cameras and lights to bring the chilling atmosphere of La Tour to life. LPL adapters for third-party lens mounts*. The combination of my ALEXAMini LF with the ARRI Signature Primes (provided by Cinegrell) was the perfect choice for the shooting of the Swiss "Aller Tage Abend." As a rental house owner the artistic attributes of the Signatures and the fact that they are LPL-mounted and ARRI-branded make them a solid investment. The ARRI Group is the world's largest manufacturer and distributor of motion picture cameras, digital intermediate systems and lighting equipment. CinematographerKyle Krupinski (known for: Parallel Chords, The Solipsist, Under the Grove and many more). Used ARRI Ultra Prime 40mm T1.9 - PL Used ARRI K2.47329. 75mm, T1.3, PL-Mount, dual scale (feet and metric), Tokina Macro Cine Lens rehoused by GL optics, 16mm, T1.3, PL-Mount, dual scale (feet and metric), 32mm, T1.3, PL-Mount, dual scale (feet and metric), 18mm, T1.3, PL-Mount, dual scale (feet and metric), Schneider Kreuznach Xenon FF Cine Prime Lens, Kinoptik 100mm, f2 Cine Lens with PL-Mount. I dont think Im going to be shooting on anything else for a while. ARRI 40mm Ultra Prime Lens retain its superior image quality even at close focus across the whole Super 35 frame. At and surrounding the event, ARRI played a behind the scenes role and also sponsored several prizes. . Cinematographer Zac NicholsonBSC (known for: A Boy Called Christmas, The Personal History of David Copperfield, Misbehaviour,All Is True and many more). So while they are sitting at the same table throughout, as the conversation evolves, the way we shoot it keeps evolving too. ex VAT. ARRI talked to DP Gian Filippo Corticelli about his experiences on set in Italy and colorist Andrea Baracca about the finishing touches of the film. Expert advice and a full range of help and support services come as standard to all our customers. There is not much out there that even comes close. Product Highlights and Solutions, April 2023 - Brochure, Postcard Booklet of the Ultra Prime Lenses Series. With 16 lenses in the range from 12mm to 280mm, the Signature Primes are modern lenses with a timeless look. Adam Bricker: Hacks explores the generational divide between two female comedians: Deborah Vance (Jean Smart), a Las Vegas stand-up comedy legend in the twilight of her career, and Ava (Hannah Einbinder), an up-and-coming comedy writer making a name for herself on Twitter. Hence being able to view, edit and "post" footage recorded with our digital cameras. Cinematographer KarlWalter LindenlaubASC,BVK (Known for:Independence Day, Black Book, Chronicles of Narnia, Halo and many more), Cinematographer David Lanzenberg creatively harnessed the ALEXAMini LF, ARRI Signature Primes, and Orbiter lights to create captivating visuals in Netflix's hit series Wednesday., DP Christopher ProbstASC showcases the capabilities of the Orbiter, ARRIs advanced LED light for image capture and color fidelity, in a short film titled An Ace up the Sleeve.. Perfection must have character. The ARRI Signature Prime range isthe first to incorporate ARRIs next-generation LDS-2 Lens Data System, with high data rates and absolute encoders for fast initializing. In my opinion, Signature Primes have a wide range of features to suit any need, whether it be shooting commercials, music videos, or feature films. We wanted to test lenses not just as technical equipment, but as tools to create atmosphere. From warm, smooth skin tones to soft bokeh and delicate flares, the showreel demonstrates the benefits of the Signature Primes with footage from productions around the world. ARRI Signature Prime 58mm T1.8 - LPL. ex VAT . Please fill out the fields marked with an asterisk. Cinematographer Joo Pedro Plcido aiptalks to ARRI about choosing a Signature look for director JeanneWaltzs TheWindWhistling in the Cranes.. Cinematographer Matias Boucard (known for: Pixels, SK1, David Nolande and many more). Lens: Leica SummiLux-Cs. Shooting The Pursuit of Love I found the Signature Primes, in combination with the Mini LF, to be elegant lenses with character and depth. The Leitz Summilux-C lenses are a perfect blend of modern sharpness and gentle vintage characteristics in beautiful, consistent housings. Daily Headlines covering Film, TV and more. purchased: Nov 2017, used only for test purposes. And the best part is how skin tones look. All rights reserved. Camera: ARRI Alexa Mini LF They are immaculate. Exclusive-level lens service is now available in See a short demonstration video of how the different Signature Prime focal lengths from 15 - 200 mm perform (position of camera remains the same). We all know what lens tests look like they can seem a bit like research work. All rights reserved. From "Mandalorian" to "Underground Railroad," 15 DPs discuss the gear they chose to shoot the 2021 nominees for Outstanding Cinematography. Given the limited visual toolset, small details like choosing the perfect angle or picking a 40mm focal length over a 50mm for a close up became very important. The best prices on used Arri lenses and accessories in the UK and abroad. The out-of-focus candles looked amazing, a perfect circle that I thought ideal for the overall romantic feel. Based on the latest in design methods, optical glass, and findings on suppression of reflexes and stray light Carl Zeiss and its partner ARRI have introduced a new generation of fast prime lenses for 35 mm film, the Ultra Primes. We have the ARRI Ultra Prime 40mm T1.9 - PL (K2.47317.0) ready to order and many other lenses in stock. The Ultra Prime Lenses have the widest focal range of any 35mm prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want. Cinematographer Guillaume SchiffmannAFC (known for: How to Be a GoodWife, My Cousin, Waiting for Bojangels,and many more). From fashion commercials to series teasers, cinematographer Michele Brandstetter de Bellesini chooses to work with ARRI ALEXAMini LF, ALEXAMini, Signature Primes, TRINITY, and SkyPanel. I kept using the term lifted to describe our look, meaning a colorful and clear-eyed view of the world, not nostalgic and veiled. Maximum contrast and resolution over the entire focal range. We didnt want our show to look like it was actually made centuries ago, as so much of what the show speaks to is still in our present experience. The Super Speeds were perfect for telling the stories on Seasons 3 and 4, and a new cast and period will bring new challenges and definitely a different lens package will be needed for Season 5. Monitors Teleprompters Software & Hardware. I personally love the Zeiss Super Speeds, they have a nice soft look, more modern than the Cookes, but still with an interesting, sophisticated vintage touch. Format: Arriraw, 4.5K Their creative versatility makes them a standout option for high-end productions, which is why our lens sets are constantly working. Used ARRI Ultra Prime 40mm T1.9 - PL. MwSt./ex VAT) It really provided an excellent canvas on which to collaborate with production designer Jordan Ferrer, and for the directors and actors to have freedom. ARRI cameras and lenses were also behind the top award-winning films, including the Gold, Silver, and Bronze Frog. Handsomely crafted glass that I found I could really lean into and the results were always sleek and flattering. For ARRIs contributions to the industry, the company received the Philo T. Farnsworth Corporate Achievement Award at the 74th Engineering, Science & Technology Emmy Awards. Covers Super-35 Format; PL Mount; T1.9 to T22 Aperture Range; Geared Focus and Aperture Control Rings; Show More. The overall length is constant over the entire focusing range. Mehrwertsteuersatz. IndieWire reached out to this years nominees for Outstanding Cinematography for a Single-Camera Series (One Hour), Single-Camera Series (Half-Hour), and Limited Series or Movie, and asked them which cameras and lenses they used but even more important: Why were these the right tools to create the look of their series? Learn more about ARRI Signature lenses at From extreme wides to extreme longs ARRI Signature Primes are the best choice for a classic, beautiful look thats matched across all focal lengths from 12 mm to 280 mm. In contrast with other ALEXA LF showreels exploring low light and shadow, cinematographer Tom Fhrmann BVK shot a diverse palette of faces and skin tones against a white background. ARRI Ultra Prime 40mm T1.9 - PL ARRI K2.47329. The Arri / Zeiss 40mm Ultra Prime Distagon T1.9 weighs 2.2 lbs. Cinematographer Daria D'Antonio talked to us about her work on director Paolo Sorrentino's film The Hand of God. After a strong performance at the Venice Film Festival, the film has received nominations for BAFTA, Golden Globe, and Academy Awards. Another feature of the Ultra Primes is their T* anti-reflex coating, which allows them to colour match each other very accurately. Remarks: 1) Close focus distance is measured from the image plane Format: Sony X-OCN/4K By continuing to use this site, you agree to accept these cookies. Speak to us today about your requirements. You can watch the series at Indonesia Kayas YouTube channel.Special thanks to DP Rahul Hemnani, Barracuda Film Gallery and Temata Productions for Cinematographer Josua Stbler limited his lens kit to the widest and longest Signature Primes for this new showreel, demonstrating how the 12, 15, 200, and 280 mm can bring exciting new perspectives to visual storytelling. Its also a camera that can easily be rigged for use in tight spaces or on a gimbal. ARRI Signature Lenses are compatible with nearly all digital cinema cameras on the market. ARRI Ultra Prime 85mm T1.9 - PL Fit 3 available, $5,599-$8,399 ARRI 135mm Ultra Prime T1.9 F - PL fit 4 available, $7,039-$8,399 ARRI 16mm Ultra Prime T1.9 F - PL fit The well-known cinematographer Christopher Doyle to give his feedback on the Signature Prime lenses, which he used for his latest movie Just 1 Day. I feel ARRI's Signature Primes are the ultimate set of full-frame cinema lenses. This is a design principle in which lens group move in relation to each other during focusing, thereby correcting image area curvature. In Stock for Immediate delivery. Sharp but soft at the same time. Name: ARRI Signature Prime 125/T1.8. I felt it was important to be able to capture all the sumptuous detail and textures that were offered to us from the sets, costumes, and locations. Format: 6K resolution, 2:1 frame ratio, spherical format For the tough night sequences shot on difficult terrain, our wise gaffer Christian Epps had some Arri 360 Skypanels above the forest canopy with a little green to replicate a soft sickly moonlight, which combined well with the red flares of the finale. As a DP I am able to explore areas I wasnt able to before. It was a perfect fit for our project! Consistent Performance. . ALEXA 35; Hi-5 Ecosystem; ALEXA Mini LF; ALEXA Mini; Weve always loved the way the Alexa chip renders skin tone, and with the help of our colorist Alex Bickel, working in Arri Raw, we were able to give our characters skin tone the complexity and beauty it deserves. Arri/Zeiss Ultra Prime Distagon T1.9 40mm PL. DP Thomas Hardmeier and gaffer Laurent Hritier talk about their experience with the ALEXALF, ALEXAMini LF, ARRI Signature Primes, and SkyPanels on Jean-Pierre Jeunets Bigbug for Netflix. DP Mlodie Preel (known for commercials for: RogerVivier, American Express, ubisoft and many more). Find out more by contacting ARRI Rental. I loved the large aperture, the shallow depth of field, and the way it produces a cinematic look and feel. Lens: Leitz Summilux-C. Ben Richardson: I designed the cinematography of Mare of Easttown around the faces of our beautiful and varied cast. Its a vision of what the world might have been, and how the world could be. For this to happen the lens has to sit precisely where itshould be, responsible for that is the lens mount.Get to know all our lens mounts and find out what makes our new LPL mount unique! We have many such moments to deliver. Very versatile, precise, and above all, very light and, therefore, very practical. The ARRI Ultra Prime 40mm T1.9 is a PL-mounted prime lens that covers the Super-35 format. The Signature Primes paired with the Mini LF created a beautiful look with the lights and colors of LasVegas. Super MTF but not too sharp or contrasty. The ability to add rear elements to give a distinctive look is an added bonus. With a worldwide network of sales, rental and postproduction facilities, ARRI meets the uncompromising needs of even the biggest international clients. Extreme focal lengths, but just as smooth, forgiving, and easy to work with as the rest of the Signature Prime range.ARRI Signature Primes. The marriage of the ALEXALF and the Signatures is an absolute winner! I feel this helped the cast to feel at home, and helped the house to become almost a character itself. 90 day warranty. Lens: Arri Master Anamorphics (flare module on 75, 100, 135mm) with additional shots on Sigma Cine T1.5's, Angienieux Optimo Anamorphic 48-580, and Nikkor primes for the a7s. Ultra Prime 8R. Learn more: http://www.arri.com/largeformat, Tom Fhrmann BVK uses ALEXA LF and ARRI Signature Prime lenses to document the creative preoccupations of an architect, which bear striking similarities to those of a cinematographer: light, texture, detail, and the expression of emotions through practical skill. Given the setting and the nature of a conversation piece, the fact that most of this episode plays out on the faces of these amazing actors we chose film to capture rich skin tones that can help us create powerful close ups. LDS-2 extends the possibilities of lens data and can belicensed to other lens and camera manufacturers. Ive loved shooting on RED ever since I graduated from film school and raised funds with my best friends to invest in a RED ONE, so I knew I would feel at home shooting on the DXL2s RED MONSTRO sensor. Learn more: https://www.arri.com/largeformat, For this inspiring short film on loss and friendship, cinematographer Logan Schneider paired the organic, silky nature of Signature Primes with ALEXA LF for unprecedented clarity to humanize a robot and immerse the audience. der bei Rechnungsstellung geltende gesetzliche Guest Cinematographers: DP Tey Clamor (LPS), DP As one of the world's leading manufacturers of motion picture cameras, lighting, and archival equipment, ARRI is also committed to providing the finest technical support for its products at 13 advanced service centers worldwide. I was quite surprised at how good the Signature Prime Lenses were. The timeless look of Signature Primes will never go out of style. including: special RED-EF-Mount; Aperture-Blades for F2.8, F4, F5.6, F8, F11; Tool-Set. We have the Used ARRI Ultra Prime 40mm T1.9 - PL (K2.47329.0) IN STOCK now for immediate delivery and many other lenses in stock. Dana Gonzales: For me, large format fits right into the type of aesthetic I am interested in: wide field of view with no distortion and shallow depth of field. The Signature lenses were amazing with skin tones, and chosen for their sharpness and a beautiful organic bokeh. with a front diameter of 95mm and close focus at 1 1/4'. *ARRI assumes no responsibility with regard to an inaccuracies of given information. Cinematographer Man-Ching Ng, HKSC (known for: Rise of the Legend, Rigor Mortis, Infernal Affairs II & IIIand many more). The combination of the large sensor with a custom-made anamorphic lens package from Panavision was the only lens/camera combination that satisfied the need to tell a Star Wars universe TV show with a look that was anchored in the cinematic history of the original films. It allows us to keep the frame, have the actors interact without cutting, and still get close enough to their faces when we needed to. Thanks to the minimal breathing of the ARRI Signature Primes - shifts in focus are hardly noticeable even in fixed tableaus and therefore appear extremely subtle. By continuing to use this site, you agree to accept these cookies. At the Festival de Cannes 2021, the vast majority of winning and participating productions relied on ARRI equipment. The ARRI Signature Primes have proved to be a gamechanger, both on set for our clients and also for the rental aspect of our business. Our services are exclusively offered to commercial customers and not to private individuals. Cinematographer Hyuk-Jun Yoo (known for: Leverage, Oh My Babyand many more). Matthew Jensen: The original trilogy was shot on anamorphic lenses and has a specific, controlled, and composed grammar which we were hoping to emulate on The Mandalorian. That aesthetic reason combined with the nature of our virtual sets, which were projected on LED screens surrounding our characters, drove the decision to choose a camera format and a lens package which had very little depth of field. We sought to find a mix of these two sensibilities in our visuals. Its also an excellent format for localizing the characters in their environments, which for this show with its two distinct worlds, each in its own way a funny character was crucial. That form factor also makes it steadicam friendly and allows us to move through sets with our ensemble cast. 14mm, T1.3, PL-Mount, dual scale (feet and metric), ARRI Master Anamorphic 75mm, T1.9, PL-Mount, Imperial and Meter Scale, used, in excellent condition, sale on behalf of client, Full Frame 65mm, Macro, T2.4, PL-Mount, Metric Scale, including: Moving lights, ghostly shadow effects, angular and curved forms, architecture and perspective, raw materials and tools-all reveal the distinctive texture of ALEXA LF images. They are perfect lenses that you can hardly do without. Zeiss Ultra Prime set includes the 24, 32, 50, and 85mm. Speak to us today about your requirements. Lens Type: Ultra Wide 29,000. ARRI / ZEISS Ultra Prime Lenses have the widest focal range of prime lenses giving you the flexibility to get the coverage you want. Watch for yourself and be inspired. Remote Phosphor Panels, Panel Carrying Bags, Conversion Filters, Softboxes, Accessory Holders & Speed Rings, Overview of all current Software Update Packages, Software and Firmware Updates for Cameras, Software Update for Wireless Video System, Software Update Battery Hanger Module BHM-2, Certified user training for camera stabilizers, Advanced Service Training for Electronic Control Systems, ARRI Certified Film School Accreditation Program, "What You Gonna Do When The Worlds on Fire? The Ultra Primes also match perfectly with other ARRI and Zeiss lenses, including the ARRI/Zeiss Master Primes, the ARRI/Fujinon Alura Studio Zooms, the Zeiss CP.3s and the Zeiss Compact Cinema Zooms. CinematographerMichael SeresinONZM,BSC (Known for: Harry Potter and the Prisoner of Azkaban, Mowgli: Legend of the Jungle,Dawn of the Planet of the Apesand many more). The Ultra Primes provide a compact, lightweight, optically-matched complement to the higher-speed ARRI Master Prime series. Additional focal lengths available: 8, 10, 12, 14, 16, 20, 28, 40, 65, 100, 135 and 180mm. The Zeiss Radiance lenses were the perfect blend of modern engineering with a vintage philosophy. Cinematographer Josua Stbler recently limited his kit to the widest and longest lenses in the range for ARRI's "Taste of Freedom" showreel. . DigiBroadcast Registered office DigiBroadcast Co.LTD, Unit 15d, Oakcroft Road, Chessington, Surrey, KT9 1RH Company Registration Number 4344776 VAT no. Clarkson and I were really excited to shoot Made For Love in 2:39 anamorphic, though we knew it might be a tough sell to HBO Max since it was considered a half-hour comedy and unusual formats for such shows are rare, if not non-existent. Lens: Zeiss Super Speeds. For SonyVenice, please see section above. By subscribing, I agree to the Terms of Use and Privacy Policy. The Alexa Mini remains my preferred camera, due to its beautiful and dependable image quality even under mixed or imperfect lighting.